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Background
El Tajin is a major site in the northeastern part of Mexico near the present day city of Poza Rica. Contemporary with later phases of Teotihuacan, it rose to its greatest height in the centuries following the collapse of the great pyramid city in the Antiplano in 750AD. Although most famous for its niche pyramid (pictured below), El Tajin is also significant for its remarkable stone carvings from the North and South ballcourts. These carvings frequently depict human sacrifice and are stylistically similiar to the ballcourt carvings of the Toltec section of Chichen Itza. Most of El Tajin is still unexcavated, and the site has been heavily looted over the centuries, as Garcia Payon, the archaelogist sent by the Mexican government in the 1930s to protect the site, discovered. He was charged with the task of stopping "this lively trade in Tajin sculptures, which were even sold in the Papantla market" (Sculptures, pg 13). However, the remains still testify to an extensive urban center whose influence must have extended for many hundreds of miles to the north, south and west.
No other site in Mesoamerica has so many depictions of ball players and their equipment. Helmets, "yokes" belts worn around the waist and "hachas" and "palmas" worn on these belts are shown in many of the carvings. Apparently, the inhabitants of El Tajin were great fans of the game. They would also appear to be overtly militaristic, not a trait that is normally associated with Classic era cultures. It is still unknown how the game was played which hinders any understanding of how the equipment was used. Some researchers have suggested that the heavy stone yokes were actually worn during the game, but this seems unlikely given that a ballplayer could hardly demonstrate any agility with fifty pound piece of stone around his waist! The stone hachas, palmas and yokes were more likely trophies, perhaps awarded to the winners. The losers, on the other hand, may have received a death sentence, a strong incentive to remain undefeated. The ball game may have also served as a training excercise for young warriors.
While the artistic style employed at El Tajin is more reminiscent of their Maya neighbors, the obsessive depiction of skulls clearly finds an echo at Tula and Chichen. Likewise the heavy emphasis on human sacrifice, particularly as public spectacle. The Mound of the Building Columns certainly seems to part of the Toltec tradition of building a large multi-columned structure slightly removed from the main center. Perhaps as a military barracks? The function of this most charecteristic of Toltec buildings is still unknown, but the prescence of a Hall of Columns at Tula, Chichen and El Tajin would seem to argue for a strong connection.
Conclusions
Sources
Twin City Tales - A Hermeneutical Reassessement
of Tula and Chichen Itza..
Lindsay Jones. University of Colorado
Press. 1995. |